Uber.com for Entertainment Careers

Sometimes it's the right thing to do to pass along interesting information. If you have not checked out a website known as http://www.uber.com/, which is for artists, writers and musicians, then you may want to, or at least read Dennis Nishi's article in his How I Got Here column in the Wall Street Journal. (A hat tip to Dennis.) Uber is a social networking site that has grown to over 500,000 unique visits monthly, according to Nielson Online.

Maybe you are taking courses at the Entertainment Career Connection's Recording Connection school, and you are looking for information about the music industry, or you are an aspiring director who might even be looking for a career in the entertainment industry, Uber is a great website to check out.

Nishi interviewed the website's Founder Glenn Kaino, an artist and technologist, about competing in the social-networking space. Apparently Kaino initially wanted to work with artists that didn't have any access to the Web so he and his team contacted thousands of artists including Masami Teraoka and Edgar Heap of Birds and put up Web sites for them in order to document their projects.

Universities began linking to the site since it was not only cool, but a reference for original material. This is the genesis for Kaino's suggestions for other artists today.

In the Journal article he said, "Adjust to the market as opposed to the other way around... Emphasize your unique abilities so you can bring something different to projects. Have a good idea and a willingness to execute it. For me it's always been about creating personal networks. What I've learned in the new media realm and the art world is to keep things ad hoc and on the fly."

Today Uber is a compilation of everything from comedy blogs, and even a contingent of video gamers. The company's goal is "to be a publisher of world ideas online ... to facilitate an audience by allowing people to use our tools to express themselves."

There's a cool piece about Robert Price’s new gallery of tattoo work, (LEFT) including dogs, and Yoda.

Or, from Uber's music blogs, there's Dana's gallery of Motley Crue images from the Uber Crue Fest Photo Contest.

The Business of Concerts: Rock or Not, Concerts Offer Audio Engineering Jobs

One Wall Street Journal reporter named Mark Gongloff, of the MarketBeat section, did a story and a blog on the fact that since the economy and stock market are in despair, that must mean it's time for some heavy-metal thunder like back in the 1960's with Led Zeppelin, Black Sabbath and Deep Purple. Historically, any time the economy is in trouble, the one thing that remains strong are the entertainment industries. Seems people like to drown their woes in music. However, some others are concerned that gas prices could put a damper on the concert business. Nonetheless, now that high school is out, there seems to be an increase in the number of people who want to learn how to be a recording engineer.

Baby boomers have been paying more than $60 plus per seat to catch their favorite acts in recent years. At Clapton’s June 2nd date in Uncasville, Connecticut, tickets were for $125 to $195, compared to $85 to $150 at the same venue in 2006. The Eagles’ at Madison Square Garden in May went for $50 to $190, compared to $25 to $180 when they played there in 2005. According to the 2007 Pollstar's list , the 20 top-grossing tours—which were led by the Police's reunion concert tour and grossed $131.9 million—made a total of $996 million, a number that's down 15 percent from the top 20 list last year. By comparison, number 20 was Maná who came in at $33.9 million.

The fact is - concerts are big business. There is a dispute in the industry right now about how because of declines in CD sales artists are making up the income through aggressive touring. But many managers dispute this idea. What is new is that festivals are giving artists a new touring vehicle where top acts can plan summer tours around festivals -- like Pearl Jam, who booked a short summer tour after deciding to play Bonnaroo, and the Flaming Lips are doing nine festivals.

But here's another interesting factoid. Those of us following the Recording Connection have noticed a pick up in the number of people who want to learn how to be a recording engineer and are signing up for the Los Angeles music recording school course. Now that many high school graduates are looking for the next step in their life, it seems some have decided to become audio recording engineers.

It is a good plan, because the Entertainment Career Connection's Recording Connection course is reasonably priced. The jobs can include: recording engineer, music producer or mixer, and the engineering program qualifies students for positions in the audio recording field. Known for its mentor programs, all Entertainment Connection programs include hands-on lab drills in the actual local recording studio where training is conducted by the mentor. The cost is at about $7,450 as compared to $140,000 at one recording school! And programs are available nationwide.

Check out Eric Hunslinger's video about the music recording school. He graduated from a big recording school then realized he wasn't prepared for the music business, so, he applied to the Recording Connection Audio School. He could not be happier with what he learned.

How Students can Qualify for Sallie Mae Loans

We offer certificate programs in all aspects of filmmaking, radio broadcasting and audio engineering, but the really good news is that our Sallie Mae financial aid package more students have been able to get a start toward their career dreams with the Recording Connection, Radio Connection, and the Film Connection. Sallie Mae is the nation's leading provider of student loans. It is a free service, that comes with a Sallie Mae specialist who prepares student applications, which makes it ten times more likely for students to qualify for their loan.

What is covered by Sallie Mae student loans is the entire tuition costs and up to 60 percent in additional funds for living expenses and equipment purchases. Students who are 18 years of age or older with good credit may qualify for a zero down, low interest loan, starting at Prime Rate + 0%. Students can take up to 15 years to pay back the loan.

Entertainment Career Connection also provides other funding choices for those who don't qualify for Sallie Mae. Not only will Sallie Mae cover the entire tuition cost of $7450, but also loan up to 60% additional, or $4470, for living expenses and purchases.

CEO James Petulla said, “We started the new Sallie Mae student loan program in April of this year, and the program has financed about 84 students since then.”

More than 6,000 students have graduated from Entertainment Career Connection programs over the last 25 years, creating a vast alumni network. The company provides educational apprentice programs for the entertainment arts including the film, radio, television and music recording industries.

This is a fully accredited academic institution, and the Entertainment Career Connection programs are certified by the National Private Schools Accreditation Alliance with mentor programs in more than 100 U.S. cities in all fifty states. With corporate headquarters in Los Angeles, California and New York City, the Entertainment Career Connection schools are unlike any others, as students learn from successful mentors in real world situations in real studio and film sets.

Recently, nearly two dozen student loan lenders nationally have announced they are restricting, suspending or terminating new loans to students through the Federal Family Education Loan Program, or FFEL, the federally-guaranteed, low-cost initiative that provided college financing last year to 7 million students around the country.

Copyright Laws for Recording Promotional CDs

On June 11, a federal district court ruled that sales of promotional CDs did not constitute a copyright violation. Record labels have typically always tagged promotional copies of recordings "promotional use—not for resale." Often times promo copies have bonus tracks that are not on retail recordings, and they might use different art, etc. Interestingly enough, these promo CDs are considered hot collectibles by some people. This is something that anyone looking for a job in the music recording industry might want to understand.

One collector, named Troy Augusto, looked for these precious promo copies in flea markets and offbeat retail stores, then started to offer them for sale on eBay. But the Universal Music Group (UMG) copyright cops found out, then tried to have his auctions de-listed by using what is known as the Digital Millennium Copyright Act (DMCA), and when that didn't work, they sued him in federal court.

The music industry believes that the "not for resale" stickers means that UMG owns the CDs, which makes it unlawful for them to be sold. At first they argued that the doctrine of first sale could not be voided by adding a label to the merchandise. The court rejected UMG's argument that the label constituted a "license." Licensing means the owner can regain possession, which does not exist in the mass distribution of promotional copies.

The court ruled that promotional CDs were gifts, and since they were distributed without requiring any recurring action—they were sent in hopes of coverage, with no guarantees.

Meanwhile, a law called the Postal Reorganization Act prohibits mailing unordered merchandise without the prior concent of the recipient, and once received, merchandise "may be treated as a gift by the recipient, who shall have the right to retain, use, discard, or dispose of it in any manner he sees fit without obligation whatsoever to the sender."

So in the end, the court rejected Augusto's contention that UMG had "abandoned" the promo CDs, but it also upheld his first sale doctrine rights to possess and resell the CDs. The bottom line is that the California court rejected the music industry's promo CD copyright claim.

The bottom line is that if you have always wanted a job as a music producer or a recording studio engineer, now you know that if you get a promotional CD, it's yours to do with as you wish. This could also mean that if you have a band and want to make a demo CD and give it away... you can.

By the way, our Recording Connection school prepares you like no other music or recording school. You will learn more - like the above laws being decided in the music industry - while you apprentice under the direct supervision of a music industry professional in a real recording studio.

Recording Studio Quality Sound in Digital Power Station Car

Along with a career in the music recording business, there are some fun perks. For example, at this last year's Consumer Electronics Show (CES) in Las Vegas, one company unveiled some pretty amazing stuff.

Listen to the Revolutionary Bongiovi Acoustics Digital Power Station Technology is a patented and unique digital signal processing method that substantially enhances sound quality in playback devices by compensating for deficiencies in usable frequencies, audio components, environments and room acoustics.

This Digital Power Station, embedded in a computer chip, is the
first of a new generation of digital audio signal processors that can be programmed to reproduce studio-quality sound in virtually any audio device. Using a combination of filters, EQ and gain amplification, it achieves total linear control over the entire audio spectrum. What this means is that it allows frequency-specific amplification for the desired results in a playback environment, and it does a great job maximizing the potential of speakers that are factory made.

Using a chip called the Digital Power Station, the KD-S100 scans and extends the frequency response and audio spectrum of various kinds of audio recordings.

This is the kind of cool stuff you learn about when you work with a mentor at the Entertainment Career Connection's New York Music Recording School. When you are learning from someone who is actually in a professional environment, you get to go to all kinds of trade shows, because professionals get invited - and they usually bring you, their student, along.

"While I was looking for the right environment to study the music recording business, I found turn and burn schools that didn't seem real," said Tommy in his Recording Connection video. "They want $40k and promised a magical career, but it wasn't real. The Recording Connection is real because it is reasonably priced and it offers one-on-one quality programs to teach you everything you need to know from studio sets ups to the most advanced technology that is out there."

SAG Negotiations for People with Film Careers

The Screen Actors Guild (SAG) is deep into negotiations with the entertainment industry's film and television producers over a new contract, making it's membership's middle-income actors the focus for better contract terms - especially given today's economy. The Guild is seeking increases for items such as reimbursement rates for car mileage to residual payments, and more.

SAG has about 122,000 actor members, and the contract expires at midnight on Monday 6/30. Much like the recent writer's strike the Hollywood community has been on edge about a SAG strike, which in reality cannot take place until around Aug. 1st. The Guild leaders haven't called for a strike authorization vote yet. This is when 75 percent of the entire membership must vote for the strike in order for it to happen.

Most film schools, including the Entertainment Career Connection's courses on how to become a director cover the guilds like SAG. The Film/Television/Video production course curriculum qualifies graduates for positions in the film, television and video production fields. This experience is invaluable when it comes to learning about strikes, and the rights of guild members

In this June 25, 2008 photo, SAG President Alan Rosenberg says the union remains committed to negotiating a new deal with Hollywood producers as the contract expiration looms. (AP Photo/Gus Ruelas, File)

At the Film Connection, industry experts who are already producers or directors pass their knowledge and experience on to the students that they mentor. The Film Connection, a fully accredited academic institution certified by the National Private Schools Accreditation Alliance, provides educational apprentice programs for the film, radio, television and the music recording industries in more than 100 U.S. cities in all 50 states. The program provides training the practical way under real life working conditions - so if a strike is going to happen, then the students learn how it will affect them so they too can make decisions once they are out in the real world.

Myths About Mentoring and Careers in Entertainment

The Entertainment Career Connection has about 25 years of experience in the topic of “mentoring.” And we get a lot of questions about how our mentors do their jobs. There are many thoughts on the topic. Webster’s dictionary defines a mentor as:

Main Entry:
1men·tor
Pronunciation:
\ˈmen-ˌtȯr, -tər\
Function:
noun
Etymology:
Latin, from Greek Mentōr
Date:
1616
1capitalized : a friend of Odysseus entrusted with the education of Odysseus' son Telemachus2 a: a trusted counselor or guide b: tutor, coach — men·tor·ship \-ˌship\ noun

Here are ten myths and some of our observations about today’s contemporary trends in mentoring. Wether you want to learn to be a film producer, or need to learn how to be a recording artist, or arte interested in a career in radio, learning from an entertainment Connection mentor is the way to really learn.

1) You do not need to be a Yogi to be a mentor. It is possibly the most frequent method of sharing knowledge in our global society, and anyone with the experience to be a powerful learning influence can be a mentor today.

2) Effective mentoring means that both parties perceive benefits. The best mentors are not necessarily people who set out to be mentors. One-on-one, face-to-face mentoring is now easier today thanks to modern technology - it can can even be via telephone, fax or email.
3) Mentoring requires commitment of time that few professionals can afford. NOT TRUE> Mentoring is simply helping someone learn while you are on the job. The reality is that it can increase on-the-job performance for the mentor along with learning, and gives career opportunities for the person being trained.
4) If someone is mentoring a student, there is no loss of productivity because mentoring actually improves productivity -- through better communication, clarity of goals, commitment, and planning, not to mention attention to the student.
5) Age is not a factor for mentors, because technology, innovation, and other learned skills (such as the Internet marketing) happen so fast today that sometimes mentors end up being the young mentoring older folks.
6) Young people who have bad attitudes can't learn by a mentor. NOT TRUE. Most young people often view an older mentor guide with respect, so they listen to them and learn.
7) Today’s changing economy and globalization means that learning increases job stability during crisis and change management.
8) When provided with a vision and purpose combined with skill training and support, adults were more likely to volunteer as a mentor.

9) Students do not learn as much in a classroom - they learn more while experiencing the job.

10) Mentoring is becomming the most economical, productive and successful form of teaching today.

At the Entertainment Career Connection mentors share their experiences. The Film Connection's Film School takes you out of the classroom and onto real film sets where you'll learn by doing stuff while you learn, one-on-one with your mentor, who is a working professional in the area of film you want to study. No other film school comes close to succeeding like this.

Listen to how to break into the entertainment business.